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Diamonds Are Forever

Film historian Dhruv Somani rewinds fondly to Hum Kisise Kum Naheen (1977), the last huge hit of the pure entertainer, produce...

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The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

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THE THESPIAN: SUREKHA SIKRI

Her repertoire of work in theatre in particular and then in television and films is vast, writes Aparajita Krishna

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Music Videos Pay Tribute To UNESCO Creative City of Film

Musicians and filmmakers collaborated to create a visual and musical tribute and celebrated the inclusive and diverse spirit of the city of Mum...

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MYTHWOMAN

Move over Amish. With the innovatively titled ‘Sati Series’, Koral Dasgupta is providing a much-welcome lens through which to look ...

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ALWAYS IN THE NEWS

Humra  Quraishi harks back to 1994, the year in which Sushmita Sen was crowned Miss Universe. She revisits an interview w...

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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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Of the People

Khalid Mohamed writes on why he could never attempt a biography or documentary on his mentor and first employer, Basu Chatterj...

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NO LIMITS

Khalid Mohamed time-travels back to an interview with the ace actor Kamal Haasan on what he knows… and does best in sou...

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DO THE RIGHT THING

Khalid Mohamed in conversation with Anil Kapoor on his evolution as an actor, who’s at the peak of his career today.

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